フリウリベネチアジュリアの洞窟・トップ20

The magnificent park, covering approximately 22 hectares, is home to a great variety of botanical species and monumental trees.

A place of peace with beautiful views, its size allows for undisturbed strolls. As one of the largest parks in Italy, it offers trees and plants from all over the world on an area of 22 hectares. Ferdinand Maximilian Joseph Maria of Austria was passionate about botany. It was he himself who designated the rocky outcrop as the spot where the park would be built. It was originally conceived as an experimental station for the reforestation and acclimatization of rare botanical species. Following a design by the Bohemian architect Anton Jelinek, the Cape of Grignano was leveled and covered with soil specially brought from Styria and Carinthia. Strolling through the park, you will notice two distinct areas: One is used as a forest and features paths, ponds, and pavilions. The sheltered area, on the other hand, is characterized by geometrically designed areas, greenhouses, and Italian-style gardens.

Wonderful all-round view

An ancient medieval village between Palmanova and Cervignano, crossed by the Taglio River. Here, time seems to have stood still. It's worth a stop.

Small ancient village, really interesting. Worth a stop

Abbey and village absolutely worth visiting for the historical importance and the charm of the small village.

nice place in pn

Founded in 730-735, it belonged to the Benedictines from 762. In 899 the Hungarians ruined it, but the abbey rose again in the 10th century and was fortified. From 1441 to 1786 it was a commendation and returned to being an abbey in 1921. The abbey church took shape between the 12th and 13th centuries, to be substantially restructured in the 15th century; in the 20th century it underwent a series of restorations (1905-1914, 1932 and 1981). The vestibule is completely frescoed with the Inferno Cycle, the Paradise Cycle and the San Michele Cycle, works dating back to around 1450 and which are attributed to the workshop of Antonio da Firenze. From the vestibule you pass into the atrium, with three Romanesque naves, characterized by a massive 15th-century ceiling and 13th-century frescoes. Wikipedia