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リラックスした休息のための景色。

この彫刻は、イランの芸術家マフムード・トラビ氏のイニシアチブにより、1993年に設置されました。この彫刻は、ドイツ人と移民背景を持つ人々の 寛容と平和的な共存の象徴として機能しています。 アイデアとデザインはゲルト・レーザー氏によるもので、石工のデミル・デミロスキ氏がこの印象的な柱状の芸術作品を実現しました。 「21」の文字：彫刻にある白い文字は、元の芸術作品の一部ではありません。「Skulpturen-Rallye Münster」というイベントに由来しており、この記念碑はその21番目のステーションとなっています。

暖かい日には、ここは素敵な旅行先です。

It's still under renovation on February 26th, therefore it's actually only a special exhibition.

Sophia Trollmann notes: In 1977, Donald Judd positioned two concentric concrete rings on the slope of Lake Aasee. The inner ring is aligned horizontally, analogous to the mirrored surface of the lake, while the outer ring follows the slope of the grassy hill. Depending on the viewer's position, the perspective changes, and thus the perception of the two circles and their relative positions in the open terrain. As in many of his works, a simple, geometric body in the rings oscillates between open and closed forms; the opposing poles of beginning and end, fullness and emptiness, cancel each other out. Although Judd always rejected the term Minimal Art for his artistic practice, he is considered, along with artists such as Robert Morris and Sol LeWitt, the founder of this art movement that emerged in New York in the 1960s. The form and material of his serially and industrially produced objects are closely intertwined. Through this interweaving, Judd insisted on the material quality of his objects: their level of interpretation does not transcend the object itself; they are not symbols of something else. His art was not intended to be representative, but rather – always keeping the human being as the measure in mind – to become a physical experience. The viewer can realize "that they themselves establish the relationships through the change of the eyepoint, the lighting, and the spatial context, and that the designation of scale is a function of their own body size." Judd's works relate absolutely to their surroundings and to their respective landscape-topographical or architectural spatial structure. The two concentric concrete rings in Münster represent, so to speak, an ideal type of the existing topography.

I was sitting there too! 👍😊

the Aasee is always beautiful

From here you can take great photos of the spires of Münster's churches.