タラソナデラマンチャ周辺のアトラクション＆必見スポット - トップ20

The path closest to the river is flatter and calmer. If you want trails, ramps and more technical roads, there are plenty in the area.

Although La Gineta is an eminently agricultural town, in the second half of the 20th century the manufacturing of chairs was developed, currently production has diversified, including more elaborate furniture. In La Gineta, the parish of San Martín stands out, a construction from the early years of the 16th century. The temple is Gothic in style, with a single nave and square head.

Although La Gineta is an eminently agricultural population, in the second half of the 20th century the manufacture of chairs was developed, currently production has diversified, including more elaborate furniture. In La Gineta, the parish church of San Martín stands out, built in the early years of the 16th century. The temple is in the Gothic style, with a single nave and a square head.

The church of San Martín de Tours is the most important and significant building in the town, which also has good mansions, with bars and balconies of artistic value. As in most of the towns in the region, the church tower marks the most characteristic point of the Manchego landscape. With a height of more than 46 meters that make it visible from 10 kilometers in all directions, it is a magnificent masonry tower very different from others in the region, topped with a Renaissance lantern with decorative Italianate-inspired buttresses and crowned by a weathervane of wrought iron. Its interior is crossed by a steep spiral staircase that reaches the bells. The church, late Gothic, with Renaissance elements from the 16th century, with a single nave with striking helicoidal pillars and complicated ribbed vaults. The main cover, the work of Jerónimo Quijano. Other critics attribute it to the great architect Andrés de Vandelvira. It is in the Renaissance style, very simple, with straight lines, with semi-recessed Doric columns.

The Museum was inaugurated in 2005 inside an old RENFE warehouse. Inside, utensils that are no longer with us, except in the memory of the elderly. Missing trades. Means of transport from other times. Ancient ways of dressing. Constructions of past times. Objects in their usual spaces, meeting places that sound remote: the traditional home, the threshing floor, the grocery store, the oven... Everything is different: the saffron, the grape harvest and the bulrush or tavern chairs, as well as They were colloquially known. The exhibition is completed with photographs and posters that illustrate and contextualize the main motifs exhibited in the room.

The Museum was inaugurated in 2005 inside an old RENFE ship. Inside, utensils that are no longer with us, except in the memory of the elderly. Missing trades. Means of transport from other times. Ancient ways of dressing. Constructions of past times. Objects in their usual spaces, meeting places that sound remote: the traditional home, the threshing floor, the grocery store, the oven... Everything is different: the saffron, the vintage and the enea or tavern chairs, as well as They were colloquially known. The exhibition is completed with photographs and posters that illustrate and contextualize the main motifs exhibited in the room.

The church of San Martín de Tours is the most important and significant building in the town, which also has good mansions, with bars and balconies of artistic value. As in most of the towns in the region, the church tower marks the most characteristic point of the Manchego landscape. With a height of more than 46 meters that make it visible from 10 kilometers in all directions, it is a magnificent masonry tower very different from others in the region, topped with a Renaissance lantern with decorative Italianate-inspired buttresses and crowned by a weathervane of wrought iron. Its interior is crossed by a steep spiral staircase that reaches the bells. The church, late Gothic, with Renaissance elements from the 16th century, with a single nave with striking helicoidal pillars and complicated ribbed vaults. The main cover, the work of Jerónimo Quijano. Other critics attribute it to the great architect Andrés de Vandelvira. It is in the Renaissance style, very simple, with straight lines, with semi-recessed Doric columns.

A Gothic-Renaissance style church declared an Asset of Cultural Interest. Its tower stands out.