4.7
(50)
967
ライダー
101
ライド
ガウテギスアルテアガ周辺には魅力的なマウンテンバイクルートがいくつもありますが、冒険を始めるにはその場所とルートを把握する必要があります。ここでは、komootが提供するガウテギスアルテアガ周辺でのマウンテンバイクルートのコレクション全体を評価して選び抜いた、人気ルートをご紹介します。各ライドの詳細をぜひご覧ください。
最終更新日: 4月 18, 2026
5.0
(1)
11
ライダー
17.7km
01:20
420m
420m
中程度のマウンテンバイクライド. ある程度のフィットネスレベルが必要です。 あらゆるスキルレベルに適しています。
12
ライダー
71.6km
04:55
1,010m
1,010m
難しいマウンテンバイクライド. 標準以上のフィットネスレベルが必要です。 あらゆるスキルレベルに適しています。
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11
ライダー
21.6km
01:59
680m
680m
中程度のマウンテンバイクライド. ある程度のフィットネスレベルが必要です。 あらゆるスキルレベルに適しています。
4.7
(3)
9
ライダー
28.2km
02:07
520m
520m
中程度のマウンテンバイクライド. ある程度のフィットネスレベルが必要です。 あらゆるスキルレベルに適しています。
7
ライダー
24.5km
02:18
710m
710m
中程度のマウンテンバイクライド. ある程度のフィットネスレベルが必要です。 あらゆるスキルレベルに適しています。
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The Oma Forest - Omako basoa in Basque - is also known as the painted forest, the enchanted forest or even the Ibarrola Forest. Its most common name - Oma Forest - refers to the district in which it is located, which belongs to the municipality of Kortezubi. This original work of art was created between 1982 and 1985, when the Basque painter and sculptor Agustín Ibarrola used the trunks of trees as a kind of canvas for a total of 47 images. On them he painted animals, geometric figures and people, or just parts of them, such as eyes and lips. In addition, many of the compositions do not consist of a single tree, but must be viewed in the context of several tree trunks. To do this, you must pay attention to the signs on the ground that tell the viewer where to stand in order to enjoy the whole image.
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The legend that attributes the name of Mundaca to the Latin expression munda aqua (clean water). This legend appears in the Chronicle of Vizcaya written by Lope García de Salazar in the 15th century. According to this story, a ship from Scotland arrived on the coast of Mundaca carrying a princess who had been banished from her land. The Scots called the place Munda aqua in their Latin language (sic) since they found a very clean source of water that contrasted with the murky waters of the Urdaibai estuary.
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In 1982, artist Agustín Ibarrola began painting the pine trees in the forest near his homestead with the intention of using the landscape as a canvas to give continuity to his artistic expression. It is at this moment when he decides to break the law of perspective and transgress the three-dimensionality of a white line until it becomes two-dimensional. From then on, he explored the possibilities offered by the arrangement of the forest trees, playing with the different planes of depth and creating artistic sets composed of human figures, curves or straight lines, and circles of intense colors. The ideas and concepts that it develops become more complex and advances in various directions as the painted forest expands. With the help of two students from the Faculty of Fine Arts of the UPV/EHU, he carried out a large part of the work that was open to the public until 2018, at which time the biological cycle of the forest came to an end. Given the importance that the work had acquired, the Provincial Council of Bizkaia began the process of making the Forest last, for which it had from the first moment the support of the artist who had made clear his desire for the forest to survive. In this way and in order to preserve El Bosque de Oma, the Ibarrola work has been moved to a new location, also recovering original artistic ensembles lost due to felling, attacks and natural tree falls. Today we can enjoy El Bosque de Oma more complete and more faithful to the artist's original idea.
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The Forest of Oma is one of the best-known works of the Basque artist Agustín Ibarrola and is an expression of the artistic movement known as Art and Nature, which emerged in the late sixties of the 20th century and whose purpose is to convey artistic work to the natural environment, using the landscape as a framework, support and raw material for the artist. The work, located in the town of Kortezubi (Bizkaia), is made up of several sets of geometric motifs and figures painted on the trunk of radiata pine trees. The use of natural living supports, the play of two-three-dimensionality and the experience of placing the visitor at the center of the work of art through his discovery, as well as the diversity of responses it proposes, make this work a reference of the Art and Nature movement and of Basque Art in particular.
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This Roman necropolis is located very close to the highest point of the Sollube massif. Here they received the ashes of the cremated deceased from a nearby town, between the 1st and 3rd centuries AD. c.
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The work is planned so that an open point in the walls becomes a window from which one can see the Gernika tree.
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他の地域の最高のMTBトレイルを見てみましょう。
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