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The bell tower of Salamanca Cathedral is one of the most emblematic elements of its architecture. It forms part of the New Cathedral, although it is integrated into the complex that includes the Old Cathedral. Baroque style predominates, although the base is Renaissance, reflecting the transition between the two cathedrals. Height: Approximately 92 meters, making it one of the tallest points in the city.

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The Roman Bridge of Salamanca forms part of the Silver Route (Vía de la Plata), which connected Mérida with Astorga. Although its origins are Roman, dating from the 1st century AD, only the fifteen arches closest to the city are from this period; the other eleven underwent several reconstructions as a result of flooding of the Tormes River.

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The Salamanca bullring, known as 'La Glorieta', was built in the 19th century, designed by the architect Cecilio González Domingo. Located between the Fuentesaúco and Valladolid highways, it was inaugurated on September 11, 1893.

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The Salamanca Bullring, known as "La Glorieta," was built in the 19th century by architect Cecilio González Domingo. The bullring is located between the Fuentesaúco and Valladolid highways and was inaugurated on September 11, 1893.

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bullring

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great view back over Salamanca

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Another place to enjoy the beautiful views of the city of Salamanca, with the imposing cathedral, from the other side of the river.

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The New Cathedral of Salamanca, dedicated to the Assumption of the Virgin, began construction in 1513, although construction lasted until 1733. Great architects such as Juan and Rodrigo Gil de Hontañón, Juan de Álava, and the Churriguera brothers, among others, worked there. The initial style was late Gothic, and despite the extensive work, this stylistic unity assigned by the Chapter has been maintained. On the exterior, we can see impressive facades with highly elaborate and unique decorative details, such as those on the three doors of the main façade, an interesting iconographic ensemble with reliefs of scenes from the Nativity and the Epiphany, and, above the large central ogee arch, a beautiful Calvary. The Palm Doorway depicts the sculptural group of the Entry of Jesus into Jerusalem. On this façade there are sculpted figures that do not correspond to the period, since we can see, to mention the most well-known, a monster eating ice cream or a curious astronaut (author's licenses in a 1992 restoration to justify the historical moment of its incorporation).

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