グレンエイでののおすすめライド

The Church of Notre-Dame de La Peyratte was built in the early 12th century by the monks of the Abbey of Sainte-Croix de Talmont in the Diocese of Luçon. Its austerity, simplicity, and choice of building materials make it a fine example of the churches of Gâtine. The work involves the general restoration of the church in five phases, beginning with the exterior and then the interior. The project management was entrusted to the Marie-Pierre Nigués agency, a heritage architect. A diagnostic study conducted in 2016 by the Niguès firm estimated the total cost of the work at €1,619,783 excluding tax. Prior to the start of work, the church underwent an archaeological assessment in 2018 and a study of the painted decorations in September 2019. The Nouvelle-Aquitaine Regional Directorate of Cultural Affairs is subsidizing the first phase of exterior work, 45% in 2017, 50% in 2021, and 40% in 2022. The municipality is benefiting from an exceptional Local Investment Support Grant of €120,000 for the entire exterior work. The Nouvelle-Aquitaine Region and the Deux-Sèvres Departmental Council are financial partners in the project. A subscription is also open on the Heritage Foundation's website. The Regional Conservation of Historic Monuments – Poitiers site and the Deux-Sèvres Departmental Architecture and Heritage Unit of the DRAC are providing scientific and technical oversight for this restoration.

Googleによる翻訳•原文を表示

The contemporary art center of national interest, La Chapelle Jeanne d’Arc de Thouars, is today a leading venue for contemporary art in the western region. Along with the Château d’Oiron and the Syndicat Mixte de la Vallée du Thouet, which runs a program of public commissions for contemporary works, the art center's work is carried out in partnership across the entire territory of the Pays Thouarsais community of communes and, more broadly, in the northern part of the Nouvelle-Aquitaine region. Within the region, the art center is a recognized player in the Astre plastic and visual arts network. Developing an artistic project that takes into account its geographical location and its architectural envelope, a neo-Gothic chapel, the art center maintains a privileged relationship with the heritage of Thouars. Guest artists, hosted for residencies or exhibitions, appropriate the chapel space by creating an original work designed for the venue. They also bring their perspective to the city, urban planning, landscape, and rural areas of the Thouars region and the Thouet Valley. Since 1993, nearly a hundred artists have been invited for residencies or exhibition projects. In recent years, the art center has paid particular attention to emerging artists from art schools, particularly those from the regional Le Grand Huit network. In addition to its programming, the art center also engages in outreach activities in the form of off-site exhibitions, workshops, and events (meetings, lectures, and workshops). A mobile device, La Mar(g)elle, was created in 2015 by the artist Marie-Ange Guilleminot to offer interventions in partner locations, particularly within schools and structures in the social and medical sectors. For its educational action, the art center benefits from the action of the municipal art school of Thouars, to which it is connected within the visual arts department of the City of Thouars.

Googleによる翻訳•原文を表示

The Château de la Roche-Faton, located in Lhoumois (Deux-Sèvres) in Nouvelle-Aquitaine, is an elegant castle listed as a Historic Monument, dating from the medieval period and enriched during the Renaissance. 🏰 History & Architecture Mentioned as early as 1179, burned down in 1417, it was rebuilt starting in 1544 by Mathurin Pidoux. It comprises three buildings around a courtyard, round towers, a gatehouse with drawbridges (now lost), and outbuildings built in the 17th century. The fortified entrance is flanked by machicolations, while the central building includes a 15th-16th-century main building, crowned by an authentic spiral staircase. 🖼️ Interiors & Decor Several intact fireplaces from the 15th and 18th centuries, as well as a large living room decorated with 18th-century stucco. The Saint-Nicolas Chapel contains the tombstones of Charles-Marie-Auguste de Beaumont, Marquis d'Autichamp, and his wife. 🌳 Gardens & Park An English-style landscaped park and French gardens – designed in the 17th century by the Lords of Vassé – surround the château. A pond from the former moat also remains. 🛡️ Protection & Visits Listed as a Historic Monument: facades and roofs of the main building registered in 1973, wings of the outbuildings in 1993. A private property belonging to the du Dresnay family, the château is open for guided tours of the exterior and for events such as European Heritage Days.

Googleによる翻訳•原文を表示

Things to See & Do Ramparts: With approximately 30 semicircular towers, the granite walls symbolize medieval urban robustness. Ruined Castle: All that remains of the castle is a round tower (perhaps the keep) and sections of walls restored since the 1980s. Panoramic Walk: The rampart path offers splendid views of the Thouet Valley and the Saint-Paul district.

Googleによる翻訳•原文を表示

History & Architecture Medieval Construction: Built in the early 13th century under the aegis of John Lackland, the citadel rests on a natural promontory reinforced by three defensive walls, towers, and ramparts. Castle and Bastion: Its original, isolated castle included towers such as the Powder Tower and the Harcourt Tower. In the 15th century, Arthur de Richemont added the bastille and an artillery boulevard. Citadel Gate (or Clock Gate): The gatehouse is flanked by two almond-shaped towers and topped with a clock tower. A granite staircase provides access to the guardroom and the patrol path.

Googleによる翻訳•原文を表示

The citadel of Parthenay, nicknamed the "little Carcassonne of the West", is one of the city's heritage jewels, perched on a rocky spur overlooking the bend of the Thouet River.

Googleによる翻訳•原文を表示

Dating from the 13th century, at the foot of the city ramparts, this bridge ultimately offers the best view of the Château de Thouars.

Googleによる翻訳•原文を表示

Without the characteristic wings - which used to capture the power of the wind to set the heavy millstones in motion - the once proud windmill, which was certainly impressive at the time, is missing an essential architectural element. From a distance, the observer can see its modern successors: within sight of the former windmill, the slender towers and turbine blades of a modern wind farm, which is used to generate electricity, rise into the sky.

Googleによる翻訳•原文を表示