周辺のスポット/アトラクション・トップ20

The faithful trust in the help of the Mother of God – who in France is always venerated under the title “Notre-Dame” (which corresponds to the German name “Our Lady”) – was expressed by the French nun, mystic and Doctor of the Church, Saint Thérèse of Lisieux (religious name Thérèse of the Child Jesus and the Holy Face, 1873 to 1897) as follows: “In trials or difficulties I turn to Mother Mary, whose gaze alone is enough to dispel all fear.”

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The Church of Saint-Christophe de Le Pin The Church of Saint-Christophe de Le Pin was built in the 18th century (after 1759). Entrance is via a bell tower with a porch, on which a recently restored, painted sundial from 1832 contrasts beautifully with the clock above. The four pillars of the entrance portal support an entablature. The single-aisled nave opens onto a transept with a semicircularly vaulted chancel; the walls are partly made of rammed earth. Inside, there are four paintings in the transept and chancel. They depict a Pietà, the Assumption of the Virgin, the Presentation of the Child, and the Release of Saint Peter from Herod's Prison by an Angel. The last three paintings appear to be by the same artist.

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This memorial cross made of light wood—dedicated to the memory of a deceased monk—is one of many that bikers encounter repeatedly along the way. They are all symbols of remembrance of the crucifixion, but also of the resurrection of Jesus Christ. + "With us on earth, His memory exists, but in the kingdom of heaven is His presence: This presence is the joy of those who have already attained salvation. The memory is our consolation, as we are still wanderers, journeying toward our fatherland." (Bernard of Clairvaux) Some passersby have placed stones at the foot of the small sacred monument.

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The Church of Saint-Christophe de Le Pin, a 18th-century creation (after 1759), is entered through a bell tower, where a recently restored painted sundial from 1832 contrasts with the clock above. The four pillars of the entrance portal support an entablature. The single-aisled nave opens onto a transept with its semicircular vaulted choir; the walls are partly built of rammed earth.

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In L'Après-midi Bourgeoise, painted in 1900 at the Grand-Lemps and exhibited in the Musée d'Orsay, Pierre Bonnard portrayed his entire family.

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At guests' disposal: reception rooms for 20 to 170 people, accommodation for up to 102 beds and a shared kitchen, a 500 m2 terrace equipped with tables, arbors and parasols with an exceptional view of the Bièvre plain and a large park of approximately 4000 m2 for an outdoor reception.

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Magnificent place with views of the Chartreuse and the Vercors, several picnic tables, and a charming little chapel accessible to the public.

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Discover the Notre-Dame-du-Mont Chapel and its breathtaking view of Vercors and Chartreuse, with the small chapel you can enter, numerous picnic tables, large green space... A perfect place! ---------- This chapel was built in the 13th century on the hill overlooking the Bièvre plain, an exceptional panorama of the Alps and the Chambaran plateau. With an orientation table. According to legend, the chapel was founded by a Lord of Bressieux, who, returning from a crusade, was surprised at sea by a violent storm. He made a vow if he survived to build a chapel to the Saint Virgin on the hillside, opposite his castle, which is also located just opposite the castle of Bressieux to the north of the Bièvre plain. Source: Terres de Berlioz

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