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Calvin's birthplace is dedicated to the famous reformer born here in 1509. Rebuilt after its destruction during the First World War, it now houses a museum retracing the life and work of John Calvin, as well as the religious and humanist history of his time. It houses a rich collection of portraits, ancient works, documents, and 16th-century furniture.

The drinks were ok in terms of price

The sight of military cemeteries is always very sad, but we must not forget history.

Bakery, bar, tobacconist... Perfect for starting and finishing a hike

Ideal for starting a hike

The reconstruction of Notre-Dame, consecrated in 1928, was designed by Swiss architect Albert Montant—who also designed the church of Canny-sur-Matz. Albert Montant was an excellent connoisseur of medieval architecture, and the building, constructed of brick with some stone elements, contains numerous references to Romanesque architecture, revisited here with great originality and sensitivity. The plan features a bell tower porch, a single nave, and a choir with side aisles, culminating in an apse framed by two apsidioles. Each section has its own distinctive features. The bell tower porch—which echoes that of the previous church—opens with a semicircular arched portal with three arches resting, on each side, on as many small columns via cubic capitals. Three small, offset windows open above, and a gable crowns the whole. Instead of the traditional gallery, the bell tower porch forms, inside, a richly lit lantern crowned by a four-sided dominion vault. Of Carolingian origin, the lantern tower enjoyed great popularity in Anglo-Norman architecture and beyond, as evidenced by the one at Laon Cathedral. The nave has three bays with semicircular barrel vaults. Its two transverse arches are supported by abacuses surmounting consoles, a device intended to house statues, now missing. The choir is covered with a barrel vault that closes in a cul-de-four at the apse. Eleven small semicircular windows penetrate this vault, the base of which is highlighted by a continuous cordon of billets. Three semicircular arches resting on circular piers provide access to the side aisles, each covered with a semicircular barrel vault. This entire ensemble clearly draws its inspiration from the Romanesque architecture of Berry and Auvergne. In the nave, we notice six stained-glass windows by Blanchet-Lesage (1959) on the themes of Faith, Charity, Hope, Prudence, Justice, and Strength (2008).

In the heart of the village of Vic-sur-Aisne, surrounded by a leafy park and overlooking the Aisne valley, lies the imposing Château de Vic-sur-Aisne. What today appears to be an elegant country house, bears in its walls the traces of a turbulent past. Originally built on the foundations of a medieval castrum, the estate grew in the 17th century into a stately castle, with symmetrical facades, round towers and an impressive thirteen-metre high keep — a remnant from the 13th century. The architecture reflects the transition from defensive structure to residential comfort: robust, but refined. The gardens, partly in French style with straight lines and box hedges, partly in English landscape style with winding paths and romantic corners, invite you to stroll and contemplate.

The National Military Cemetery of Vic-sur-Aisne, created in 1921, is an impressive necropolis containing the remains of 3,046 French soldiers, mainly killed during the Battles of the Aisne in World War I. Of these, 932 are buried in two ossuaries, and seven others died during World War II. Among the thousands of French soldiers is Ma Yi Pao, a young Chinese legionnaire who died of wounds on September 2, 1918, at the age of 24. He was one of the few Chinese to actually serve as a soldier in the French Foreign Legion, while most of his compatriots were employed as laborers. His grave (plot F, grave 59) is unique: he is the only officially recognized Chinese soldier to have died for France in this war.